instr-adapters

楽器用ツール

Picking Up the Sound of Musical Instruments

... is best accomplished with a normal microphone such as a CMC amplifier with MK 4 capsule. This can be stand-mounted, or an Active Colette Tube can be used.

On stage, however, the risk of acoustic feedback may necessitate very close miking ? perhaps by means of an adapter that attaches directly to the instrument. That approach may also be necessary in order to get consistent sound despite a player's physical motions. As far as the sound quality is concerned, it is always a compromise. However, SCHOEPS microphones do as much as possible to allow good sound quality to be obtained with this type of technique.

Adapter for Violin
VA 1

for CCM 4V Compact Microphone or MK 4V microphone capsule (both cardioids) with KC Active Cable

To protect the microphone against rosin deposits, a thin, dark gray foam cover (B 1) is included.

Range of span: ca. 25 to 40 mm

　
　

Adapter for Violin/ Viola
VA 2
As VA 1, but with range of span: ca. 26 mm to
50 mm

　
　

Adapter for Flute
FA 1

for CCM 8 Compact Microphone or MK 8 microphone capsule with KC Active Cable

　
　

Adapter for Saxophone
SA 2

for CCM 4/ CCM 4V Compact Microphone or MK 4/ MK 4V microphone capsule (cardioids) with KC Active Cable

The SA 2 has a miniature elastic suspension which significantly reduces the transmission of handling noise from the instrument to the microphone.

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Adapter for Violin VA 1 for CCM 4V Compact Microphone or MK 4V microphone capsule (both cardioids) with KC Active Cable To protect the microphone against rosin deposits, a thin, dark gray foam cover (B 1) is included. Range of span: ca. 25 to 40 mm

Adapter for Violin/ Viola VA 2 As VA 1, but with range of span: ca. 26 mm to 50 mm

Adapter for Flute FA 1 for CCM 8 Compact Microphone or MK 8 microphone capsule with KC Active Cable

Adapter for Saxophone SA 2 for CCM 4/ CCM 4V Compact Microphone or MK 4/ MK 4V microphone capsule (cardioids) with KC Active Cable The SA 2 has a miniature elastic suspension which significantly reduces the transmission of handling noise from the instrument to the microphone.